Fringe 2018 Reviews, Part 2

Note that the following reviews are the completely subjective opinions of the specific writers and do not necessarily reflect the views of the other members of Assaulted Fish.

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Magical Mystery Detour

At its heart, Magical Mystery Detour is a fairly simple story of a woman named Sandra coming to terms with her mother’s death and a sudden split with her long-term boyfriend by embarking on road trip from London to Land’s End, Cornwall to view the Transit of Venus, a trip she had planned to do with her mother, which has now become her mother’s legacy gift to her. The play follows Sandra’s struggles to navigate the road (and her life) as it takes her down a series of unplanned and sometimes mysterious detours. The magic comes from Gemma Wilcox and her amazing ability to build and populate worlds. Armed only with a piano bench, sound effects and her prodigious talent, Wilcox plays Sandra and 22 other characters, some of which are animals (e.g., Sandra’s dog Solar, a fly and an owl) and inanimate objects (e.g., a neti pot, Sandra’s car and, strangest of all, a lisping, lusty tree). Wilcox achieves all this with lightning-fast alterations in voice, posture and movement, which allow her to play two (or more) sides of a conversation without losing the rhythm of the dialogue. She is a master of maintaining eye line and locating her characters in space so there is never any doubt who is speaking or moving at any time, even when she is cutting back and forth between two different scenes like Sandra receiving some kind of bizarre erotic spa treatment in a roadside “pub and spa” (?!) and Solar simultaneously having enthusiastic sex outside in the parking lot. As can be gleaned from that last example, Wilcox leavens the pathos of Sandra’s journey with many humorous interludes as well as the judicious use of music (including, as the title suggests, a few cuts by the Fab Four). A dazzling and virtuosic performance with tremendous heart. — KF

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